BSP Podcast

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This podcast is for the British Society for Phenomenology and showcases papers at our conferences and events, interviews and discussions on the topic of phenomenology.

Episodes

Saturday Oct 30, 2021

Maria-Nefeli Panetsos - ‘Dancing Phenomenology: A New Source of Non-Verbal Knowledge’

Saturday Oct 30, 2021

Season five of our podcast continues with another presentation from our 2020 annual conference: ‘Engaged Phenomenology’ Online. This episode features a presentation from Maria-Nefeli Panetsos, National and Kapodistrian University of Athens.

ABSTRACT: When talking about Phenomenology we usually think about only the traditional studies of the subject’s perception of its surrounding phenomena. However, when turning the point of view towards the body, except the first steps done by Merleau-Ponty, Philosophy remains under some limitations of the orthological perception of reality. I found interesting the fact that in the history of Philosophy there is a clear absence towards the art of Dance, as the main corporeal - and for Hegel ‘primitive’ and ‘uncivilized’ - form of art which has no place in the fine art hierarchy. Looking for the reasons why this may have happened, I see that there always have been the fear of the body as a source of knowledge, as it has been always seen as unreliable filter of the human perception. However dance helps to see how the process of sensing and understanding one’s subjectivity and may enrich and change the perspective of one’s identity. I would like to merge the concept of the dancer with the phenomenological existential subject, as an example of conscious and aware subject that actively experiences its existence, transcendental self and its physicality into the intersubjective space where it lives. Through dance, borders and ‘merleaupontian’ fleshes can be managed in a conscious way, essentially focusing on one’s subjectivity and its relationship with time, space, other objects and subjects. As Prof. Shusterman already proposes in his Somaesthetics, the philosophical research can be amplified in the embodied experience of other corporeal activities that usually are not taken into consideration as explanatory for the human existence. An involved, inclusive phenomenological process, will definitely find further ways to sense and understand the aspects of the subject’s condition, as the self and identity are always related and influenced by the corporeal dimension of the human.

BIO: My name is Maria-Nefeli Panetsos, born in Madrid (Spain), student of the Italian School of Madrid, and recent graduate student of the faculty of Philosophy, Pedagogy and Psychology of the National and Kapodistrian University of Athens, where I specialised in Philosophy and my main fields of interest have been Phenomenology, Existentialism and Aesthetics. Since 2016 I started personal research focusing on the Identity of Dance and its Aesthetics, and later I continue finding connections with Philosophy of the Body and other applied phenomenological and existentialist perspective of Philosophy. I'm currently interested in continuing my research in Art History studies and Aesthetics in a postgraduate level.

This recording is taken from the BSP Annual Conference 2020 Online: 'Engaged Phenomenology'. Organised with the University of Exeter and sponsored by Egenis and the Wellcome Centre for Cultures and Environments of Health. BSP2020AC was held online this year due to global concerns about the Coronavirus pandemic. For the conference our speakers recorded videos, our keynotes presented live over Zoom, and we also recorded some interviews online as well. Podcast episodes from BSP2020AC are soundtracks of those videos where we and the presenters feel the audio works as a standalone: https://www.britishphenomenology.org.uk/bsp-annual-conference-2020/

You can check out our forthcoming events here:

https://www.britishphenomenology.org.uk/events/

The British Society for Phenomenology is a not-for-profit organisation set up with the intention of promoting research and awareness in the field of Phenomenology and other cognate arms of philosophical thought. Currently, the society accomplishes these aims through its journal, events, and podcast. Why not find out more, join the society, and subscribe to our journal the JBSP? https://www.britishphenomenology.org.uk/

Saturday Oct 23, 2021

Pablo Fernandez Velasco - ‘Evenki wandering and situationist wandering’

Saturday Oct 23, 2021

This episode of Season 5 of the BSP Podcast features Pablo Fernandez Velasco, Institut Jean Nicod. The presentation is taken from our 2020 annual conference: ‘Engaged Phenomenology’ Online.

ABSTRACT: This paper provides a comparative phenomenological analysis of the navigational practices of Evenki reindeer herders in arctic Siberia and of the artistic dérives (drifting excercises) of the Situationist movement. This paper will build on an existing analysis of the phenomenology of disorientation (Fernandez 2020, which focused on the negative aspects of the phenomenon) and on ethnographic research among the Evenki natives of central Siberia. Evenki reindeer herders and hunters have unique navigation methods that result in a very special relationship to their environment. A central aspect of this relationship is the feeling of being ‘manakan’ (‘making your own way’ in Evenki language), a feeling of autonomy and independence. A study of Evenki navigational style and its relationship to manakan will serve to elucidate the workings behind the emergence of the positive aspects of spatial disorientation. Section 1 introduces the topic. Section 2 provides an overview of the phenomenology of spatial disorientation. In section 3, we will introduce the case of Evenki reindeer herders and hunters and discuss their navigational methods, using both our own ethnographic work and previously existing research. Section 4 will analyse the central features of the experience of manakan in Evenki culture and how it relates to the positive aspects of spatial disorientation. Section 5 will provide a conclusion and potential avenues for future research.

BIO: I am a doctoral researcher working at Institut Jean Nicod, an interdisciplinary research centre at the interface of philosophy and cognitive science. The focus of my work is on how space structures our experience of the world and of ourselves. The topic of my doctoral thesis is the phenomenology of spatial disorientation. Studying disorientation is studying how, through our bodies, culture and technology, we humans are connected to our environment, and what happens when this connection is weakened or severed.

You can check out our forthcoming events here:

https://www.britishphenomenology.org.uk/events/

Saturday Oct 16, 2021

Mary Coaten - ‘Dance Movement Psychotherapy in Acute Adult Psychiatry: Psyche and Dasein’

Saturday Oct 16, 2021

ABSTRACT: My paper explores doctoral research on the therapeutic mechanisms of Dance Movement Psychotherapy (DMP) in an in-patient setting for acute adult psychiatry through the qualitative dynamics of movement and the symbolic and metaphoric processes present. Previous research has focussed on the efficacy of DMP in relation to psychosis spectrum disorders, but little on the mechanisms, especially the role of the moving body within phenomenological approaches. I drew on the phenomenological tradition through Heidegger and Jung, utilising similarities between the two to develop ideas about body movement, space and time. For Brooke (1988), Jung and Heidegger understood the body as the incarnation of psychological life and not as the meaning-less body of anatomy; they saw psyche and dasein as spatial, viewing distance and closeness as lived realities, and not merely in absolute time which they both argued is a limited abstraction from lived reality. “Jung’s method is primarily hermeneutic-phenomenological; the psyche is not “mind” or an inner realm more or less linked to the body, but is the embodied life world, and Jung’s descriptions of it - of its autonomy, spatiality and bodiliness, for instance – achieve ontological clarity when it is articulated as Dasein." (Brooke, 1988:ii). The results demonstrated an altered sense of space and time and a specific imbalance in engaging with the future and the past. The study revealed gender differences in the use of space and sense of self. Both men and women’s movement lacked structure, a lack compensated for through my movements. Participants expressed their sense of self differently by gender. The men engaged more with one another as a group and women focussed more on the individual bodily self. Symbolic and metaphoric communications indicated a relationship between an altered sense of space and time, and the movement dynamics present acted synchronistically with the symbols and metaphors.

BIO: I am a dance movement psychotherapist (DMP) with a special interest in psychosis and have recently completed my doctoral thesis at Durham University which explored the therapeutic mechanisms at play in the acute psychotic episode. For the past 15 years, I have delivered DMP groups within the acute inpatient mental health setting. My work is informed by a Jungian and phenomenological framework which highlights an embodied approach to psychopathology. I also work as a DMP within an outpatient psychological therapies team with a trauma focus.

You can check out our forthcoming events here:

https://www.britishphenomenology.org.uk/events/

Saturday Oct 09, 2021

María Jimena Clavel Vázquez - ‘Perceiving like a girl? Sensorimotor Enactivism in the face of situated embodiment’

Saturday Oct 09, 2021

This episode of Season 5 of the BSP Podcast features María Jimena Clavel Vázquez, University of Stirling and University of St Andrews. The presentation is taken from our 2020 annual conference: ‘Engaged Phenomenology’ Online.

ABSTRACT: In what sense is perceptual experience situated? Embodied theories of perception might be good candidates to answer this question. However, most of these views have omitted the situated aspect of embodiment, i.e. the way perceptual experience is shaped by a body that is the concrete locus of our social, historical, economic and cultural situation. In this paper, I focus on sensorimotor enactivism (SMEn). I aim to show that this view can remedy this omission by paying closer attention to the idea that perceptual experience consists in situated embodied skills I begin by outlining the relevant aspects of SMEn, a theory that claims that perceptual experience is enacted by the interactions of an embodied agent with her environment (see Hurley 1998, O’Regan & Noë 2001, Noë 2004, O’Regan 2011). In section II, I argue that, although for SMEn perceptual experience is shaped by the body of the perceiver, the view fails to do justice to the situated aspect of embodiment. This aspect is reflected in perceptual experience’s lack of social and cultural neutrality. In section III, I articulate the lack of neutrality of the body by drawing on Iris Marion Young’s view of the gendered situated body (Young 1980). She claims that our social, cultural, economic, and political situation is embodied in that it is manifested in the way we relate to and inhabit our space, i.e. in our movements and comportment. In section IV, I argue that, if we accept with SMEn that perceptual experience is constituted by practical knowledge and consists in the execution of embodied skills, we should accept that these skills are also a manifestation of our situation. If perception is “something we do” (O’Regan and Noë 2001, p. 970), as the motto of SMEn goes, it is something we do as situated agents.

BIO: I am a PhD candidate at the St Andrews/Stirling Philosophy Graduate Programme. I work on Philosophy of Cognitive Science, Phenomenology, and Philosophy of Mind. I am particularly interested in embodied approaches to cognition and the way these can be informed by phenomenology. For my doctoral research, I have focused on the sensorimotor theory of perceptual experience and the notion of embodiment within this approach. I have also developed an embodied approach to imagination.

You can check out our forthcoming events here:

https://www.britishphenomenology.org.uk/events/

Saturday Oct 02, 2021

Mary Fridley & Gwen Lowenheim presenting for Susan Massad - ‘Creating a New Performance of Dementia’

Saturday Oct 02, 2021

Season five of our podcast continues with another presentation from our 2020 annual conference: ‘Engaged Phenomenology’ Online. This episode features a presentation written by Mary Fridley & Susan Massad, with Gwen Lowenheim presenting for Susan Massad, all from The East Side Institute, New York City.

ABSTRACT: As viewed through a biomedical lens – which remains the dominant way in which dementia is seen – Alzheimer’s and related dementias (ADRD) is seen primarily as a condition of loss of capabilities within an individual: of speech, of cognitive abilities, of physical capacities and, eventually, of life while research and treatment is directed toward cure of the individual. Dementia activists across the globe are now raising the question: Is the shame, stigma, and isolation that people with ADRD and their families experience in large part a result of this very narrow lenses through which dementia is understood? In this paper we will present on the Joy of Dementia (You’ve Got to Be Kiddin!) project, a playful, philosophical and conversational collective exploration of the dementia experience as an effort to introduce a different lens – a development lens – as a counter narrative that challenges the current “tragedy narrative” surrounding ADRD. Seen through a development lens, humans are no longer are viewed, not as discrete and isolated individuals but as relational beings, connected to one another in ways that allows us to grow with, rather than fear, uncertainty. In this view, a dementia diagnosis presents transformational opportunities not just for the individual diagnosed, but to everyone in the “dementia ensemble” – including people of all ages who fear growing older and losing cognitive abilities. The workshops, always experiential, often involve mixed groupings of family members, care givers, professionals and those diagnosed, introduces improvisational play and philosophical conversation as activities that support the discovery of new ways of relating, being together, listening and responding. Participants are supported to challenge deeply held assumptions about what we and others “know” about the dementia experience, and it is within this collaborative ensemble building activity that the joy that comes with creating a new performances of dementia is discovered.

BIOS:

Mary Fridley is pro-bono Director of Special Projects at the East Side Institute in NYC and an accomplished teacher and workshop leader. She practiced social therapy for 12 years and continues to use the social therapeutic approach as an Institute faculty member. Mary co-leads two popular workshop series, “The Joy of Dementia (You Gotta Be Kidding)” and “Laughing Matters” and was featured in a February 2019 Washington Post article, “Changing ‘the tragedy narrative’: Why a growing camp is promoting a more joyful approach to Alzheimer.” Mary is also a playwright and theater director and works as a non-profit fundraising consultant.

Susan Massad is a retired clinician and medical educator. A primary care physician she has researched and taught in the arena of doctor-patient communication and the social-cultural-biological dimensions of health and wellness. She is a faculty member at the The East Side Institute where she is the co-creator of the Joy of Dementia© workshops that she coleads all over the US with colleague, Mary Fridley.

Gwen Lowenheim is a learning design specialist and TESOL instructor. She is co-founder/co-director of The Snaps Project, an educational consulting firm. Gwen trains and supervises educators and social entrepreneurs around the world in a social therapeutic, performance-based learning approach that brings creativity and innovation into classrooms and community-based programs. Her programs introduce theatrical improvisation, philosophical exploration, remix and group play as part of developing collaborative teams, language learning and stress management.

You can check out our forthcoming events here:

https://www.britishphenomenology.org.uk/events/

Saturday Sep 25, 2021

Giuseppe Torre - ‘Noise, Phenomena and the Digital Psychosis’

Saturday Sep 25, 2021

This episode of Season 5 of the BSP Podcast features Giuseppe Torre, University of Limerick, Ireland. The presentation is taken from our 2020 annual conference: ‘Engaged Phenomenology’ Online.

ABSTRACT: With respect to digital technologies, noise is something that is at once both fought and sought. We may wish to minimise noise in communications but require it for encrypting the very content communicated. We may wish to minimise noise when recording sound but also want to use it to improve the fidelity of the recording process. The catch is that noise is both an abstract idea and a concrete thing that does not sit comfortably in relation to systems that are deterministic/probabilistic, such as digital technologies. This is a fact that computer scientists know well but that is systematically overlooked in order to safeguard and improve the functioning of digital technologies, such as digital instruments. Indeed beyond the plethora of different kinds of noises, the comparison between analogue and digital technologies highlights the existence of just two types of noise: one that is naturally occurring (noise) and one that is humanly constructed (pseudo-noise). Digital technologies operate by moving from noise to pseudo noise, in order to then 1) crystallise reality into mathematical constructs and 2) create realities from mathematical constructs. This makes the digital realm a type of technology different from any other, namely, one in which noise is fiercely fought and used for the digitisation process but then relentlessly sought, and always denied, within the digital realm. This observation points to at least two further implications: one is that noise may point to essential differences between analogue and digital technologies; the second is that the presence or absence of noise may lead to either crippled or diverse phenomenologies. To this extent, digital technology, rather than revealing by challenging (Heidegger), has more to do with enabling a psychotic stance towards reality - one in which reality has been made to conform to our mathematically constructed idea of it … and one which might be too much even for a phenomenologist to overcome. These arguments will be developed from the perspective of a digital art practitioner.

BIO: I am a lecturer in Digital Arts at the University of Limerick (Ireland). My research interest lies at the crossroads between digital art practices, open source technology/culture and philosophy. These interests respond to a questioning of the relationships between art and technology and that has so far led me to question under what forms and forces truly creative efforts may, or may not, arise.

You can check out our forthcoming events here:

https://www.britishphenomenology.org.uk/events/

Saturday Sep 18, 2021

Joel Krueger - ‘Taking Watsuji online: aidagara and expression in the techno-social niche’

Saturday Sep 18, 2021

Season five of our podcast is back after a short break, and continues with another presentation from our 2020 annual conference: ‘Engaged Phenomenology’ Online. This episode features Joel Krueger, University of Exeter.

ABSTRACT: Despite increased interest in comparative philosophy within the past few decades — including particular interest in the Kyoto School of Japanese philosophy — Tetsurō Watsuji has not received the attention he deserves. Watsuji was a broad-ranging and original thinker who developed important insights into culture, ethics, religion, embodiment, and the self. He was also a skilled phenomenologist. His rich analysis of embodiment, space, and intersubjectivity not only predates insights developed by phenomenologists such as Sartre and Merleau-Ponty but also deepens and extends their analysis in productive ways. This talk has two objectives: first, to briefly introduce Watsuji’s phenomenology of aidagara (“betweenness”), including its novel analysis of embodiment, space, and intersubjectivity; second, to use aidagara to think through the dynamics of subjectivity and expression within the Internet-enabled “techno-social niches” found in everyday life. I argue that Watsuji develops a prescient analysis of embodiment and expression — centered around core notions of “subjective spatiality” and “spatial extendedness” — anticipating modern technologically-mediated forms of expression, connection, and engagement. More precisely, I show that instead of adopting a traditional phenomenological focus on face-to-face interaction, Watsuji instead argues that communication technologies — which now include Internet-enabled technologies and spaces — are expressive vehicles enabling new forms of emotional expression and co-regulated experiences that would be otherwise inaccessible without these technologies. For Watsuji, these expressive vehicles and spaces aren’t mere add-ons to the self and its capacities. Rather, they are progressively incorporated into the self, understood as “betweenness”. Accordingly, they should be seen as constitutive parts of our “subjective spatiality” — that is, part of the embodied self and the rich pathways of “spatial extendedness” that establish enduring interconnections with others. I consider some of Watsuji’s arguments and indicate how this view might productively impact several debates, including debates over our perceptual access to other minds.

BIO: Joel Krueger is a Senior Lecturer in Philosophy at the University of Exeter. He works primarily in phenomenology, philosophy of mind, and philosophy of cognitive science — with a particular focus on issues in 4E (embodied, embedded, enacted, extended) cognition, including emotions, social cognition, and psychopathology. He also works in comparative philosophy and philosophy of music.

You can check out our forthcoming events here:

https://www.britishphenomenology.org.uk/events/

Saturday Jul 03, 2021

Juan Toro - ‘The Ecological-Enactive Model of Disability: Why disability does not entail pathological embodiment’

Saturday Jul 03, 2021

Season five of our podcast continues with another presentation from our 2020 annual conference: ‘Engaged Phenomenology’ Online. This episode features Juan Toro, Center for Subjectivity Research, University of Copenhagen. Toro’s co-authors are Erik Rietveld, Amsterdam University Medical Center; Department of Philosophy, University of Twente, Enschede; Institute for Logic, Language and Computation, Faculty of Science, University of Amsterdam; and Julian Kiverstein, Amsterdam Brain and Cognition; Amsterdam University Medical Center.

ABSTRACT: In the last 50 years, discussions of how to understand disability have been dominated by the medical and social models. According to the medical model, disability can be understood in terms of functional limitations of a disabled person’s body caused by a pathological condition, to be treated and cured through rehabilitation or normalization. In contrast, the social model claims that disability is not an individual physical condition, but is rather the outcome of oppressive conditions imposed by society on physically impaired people. Paradoxically, both models overlook the disabled person’s experience of the lived body, thus reducing the body of the disabled person to a physiological body. Based on a co-authored paper (by Juan Toro, Julian Kiverstein, and Erik Rietveld [‘The Ecological-Enactive Model of Disability: Why Disability Does Not Entail Pathological Embodiment’]) I introduce the Ecological-Enactive (EE) model of disability. The EE-model combines ideas from phenomenology, enactive cognitive science and ecological psychology with the aim of doing justice simultaneously to the lived experience of being disabled, and the physiological dimensions of disability. More specifically, we put the EE model to work to disentangle the concepts of disability and pathology. From an ecological-enactive perspective, we locate the difference between pathological and normal forms of embodiment in the person’s capacity to adapt to changes in the environment by establishing and following new norms. From a phenomenological perspective, we distinguish normal and pathological embodiment of disabled people in terms of the structure of the experience of I-can and I cannot. The I-cannot experienced by the non-pathologically disabled person can be understood as a local I-cannot, with a background of I-can: I-can do it in a different way, I-can ask for help, etc. This contrasts with the experience of I-cannot of the pathologically embodied person, which deeply pervades their being-in-the-world. To ensure that the discussion remains in contact with lived experience, we draw upon phenomenological interviews we have carried out with people with Cerebral Palsy.

BIOS:

Juan Toro: I’m a PhD student at the Center for Subjectivity Research, University of Copenhagen, and a researcher at the Enactlab – an interdisciplinary team of researchers, artists, journalists and practitioners working on solutions for complex problems faced by minorities in society. In my research, I combine an empirical approach to physical disabilities – focusing on cerebral palsy – with insights from phenomenology, 4E cognition and ecological psychology.

Prof. dr. Erik Rietveld is Socrates Professor, Senior Researcher at the University of Amsterdam (AMC/Department of Philosophy/ILLC/Brain & Cognition) and a Founding Partner of RAAAF [Rietveld Architecture-Art-Affordances]. In 2013 his research project on skilled action titled “The Landscape of Affordances: Situating the Embodied Mind” was awarded with a NWO VIDI-grant for the development of his research group on skilled intentionality & situated expertise. Recently he received an ERC Starting Grant for a new philosophical project titled “Skilled Intentionality for ‘Higher’ Embodied Cognition: Joining Forces with a Field of Affordances in Flux”. His work as a Socrates Professor at the University of Twente focuses on humane technology: the philosophy of making and societal embedding of technology in the humanist tradition.

Julian Kiverstein is Assistant Professor of Neurophilosophy at the University of Amsterdam. He is currently writing a monograph for Palgrave Macmillan entitled The Significance of Phenomenology. He edited a comprehensive handbook for Routledge Taylor Francis on the philosophy of the social mind. He is associate editor of Phenomenology and the Cognitive Sciences and was until recently Book Review Editor for the Journal of Consciousness Studies. Before his appointment at Amsterdam in 2011, Kiverstein was teaching fellow at Edinburgh University, where he played a lead role in developing and designing the Mind, Language and Embodied Cognition Masters Programme, of which he also became director.

You can check out our forthcoming events here:

https://www.britishphenomenology.org.uk/events/

Saturday Jun 26, 2021

Ellen Moysan - ‘Phenomenological Description of the Notion of Inner Song: Doing Phenomenology to Understand Music Practice’

Saturday Jun 26, 2021

This episode of Season 5 of the BSP Podcast features Ellen Moysan, Duquesne University, Pittsburgh, PA. The presentation is taken from our 2020 annual conference: ‘Engaged Phenomenology’ Online.

ABSTRACT: A musical performer plays or composes what is “heard in the mind.” I call this musical phenomenon: “inner song,” and I use a Husserlian framework to describe it as an object of phantasy. In the present paper, I will demonstrate how an accurate description of the inner song requires a rigorous praxis of phenomenology giving voice to actual performers coming from various backgrounds. The “inner song” is a musical phenomenon of phantasy in the sense that it is independent from the perception of a physical sound and constituted in consciousness by the imagination reshaping sensory-data (essentially sounds) in a totally new fashion. It can take two forms: a “pure phantasy object” (improvisation and composition), and a “hearing through seeing” (interpretation from a score); the difference between the two is the mode of involvement of perception. My method is to engage with phenomenology as a “praxis.” I go back to the experience of the inner song: (1) questioning my experience as a cellist, and (2) engaging in a dialogue with musicians from various traditions interviewing them about their practice. This approach provides a plurality of points of views and constitutes an “eidetic variation” that helps me to highlight the essential structures of the “inner song”. From this foundation I develop a description grounded in a Husserlian framework. Engaging with the inner song offers a unique perspective on the challenges of interdisciplinary phenomenology: first, it brings back to phenomenology as a “praxis” starting with the reduction and shaped by the object itself; second, it highlights the necessity to listen to a plurality of practitioners who have a first-hand experience of the object, here the musicians themselves; finally, it demonstrates how it is the object itself which brings together the phenomenologist and the practicing musician in a collaborative description of the lived-experience.

BIO: Ellen Moysan started her education in Philosophy at Paris-Sorbonne IV (France), before studying with the French and German Master Erasmus Mundus Europhilosophy at the Karl University (Czech Republic), Hosei University (Japan), and Wuppertal University (Germany). She is now a doctoral candidate at Duquesne University (USA). Over the last ten years, Ellen Moysan has researched the notion of “inner song,” interviewing more than fifty musicians from different horizons on that topic, and creating a digital archive where the collection of interviews is available in French, Italian, and English. Currently, she is working on her interviews and finishing her dissertation.

You can check out our forthcoming events here:

https://www.britishphenomenology.org.uk/events/

Saturday Jun 19, 2021

Bence Peter Marosan - ‘Engaged Eco-phenomenology. An Eco-socialist stance based upon a phenomenological account of narrative identity’

Saturday Jun 19, 2021

Season five of our podcast continues with another presentation from our 2020 annual conference: ‘Engaged Phenomenology’ Online. This episode features Bence Peter Marosan, Budapest Business School, Pazmany Peter Catholic University.

ABSTRACT: In my presentation, I will attempt to show how a phenomenologically consequent interpretation of narrative identity would lead to eco-ethical and eco-political consequences. In particular, I will try to show the outlines of an eco-socialist theory, which implies an egalitarian approach of all living beings, and which is motivated by a phenomenological understanding of narrative identity. My presentation consists of two main parts. In the first part, I would like to treat the relationship between freedom, responsibility and – narratively conceived – personal identity, from a phenomenological point of view. The main authors of this part will be Husserl, Heidegger, Ricoeur, Lévinas and László Tengelyi. For Husserl, the narrative aspect of personal identity was already an important topic. For Heidegger, our own decisions constitute our identity. But in my opinion, there is a decisive factor, which was marginal for Heidegger, in regard of our identity and freedom: the Other. The Other’s problem became central for Lévinas, and also for Ricoeur. László Tengelyi modified Ricoeur’s account of narrative identity on a decisive point: he draws the attention to the role of “events of fate”; events that change the course of our lives fundamentally. In the second part I would like to show the ethical and political implications of the first part. The way in which we treat in fact the Other shows the best, who we are in real. But the Other must not just be a human being; she or he can be a living being whatsoever. Here I would like to emphasize the eco-phenomenological motifs in Husserl (to this see also: Erazim Kohák); and I will try to show how such motifs lead to an egalitarian, eco-socialist view of everything which lives.

BIO: Bence Peter Marosan’s PhD Studies were on Philosophy and Phenomenology, and conducted at the institutes of Eötvös Loránd University (Hungary), University College Dublin (Ireland), Bergische Universität Wuppertal (Germany), Université Paris 1, Panthéon-Sorbonne, École Normale Supérieure, (France). His affiliations are now with the Budapest Business School, Pázmány Péter Catholic University. His more important publications include two monographies on Husserl (in Hungarian), and he has edited two volumes on Marx and on László Tengelyi (in Hungarian). His research interests are Phenomenology (Husserl in particular), Hermeneutics, Philosophy of Mind, Political Philosophy, Eco-ethics, Eco-politics.

You can check out our forthcoming events here:

https://www.britishphenomenology.org.uk/events/